The Cast series, derived from my original handwoven cord weavings, stands apart by emphasizing a process-first approach rather than a concept-first framework. Unlike other series, such as Shield and Fallen Fence, which center on thematic explorations and deliberate intentions, this body of work is rooted in hands-on experimentation with materials and techniques.

The cast works highlight the open spaces and discontinuous edges that naturally arise through the sand casting process. Each piece begins with a mold, created by burying the original weaving—woven on Mimi Jung’s loom—into sand.Once the sand is packed around it, the weaving is dramatically extracted using a hoist. This abrupt detachment defines the mold's shape, preserving the essence of the weaving while discarding elements that cannot be retained. Following mold preparation, molten brass, iron, or aluminum is poured into the cavity, introducing an element of unpredictability. As the metal interacts with the sand, the resulting voids are not preordained; they arise serendipitously from variations in pouring temperature and source points. 

The unpredictable flow and cooling of the metal, yields a form that suggests a potential lack of integrity. The irregular edges of the cavities introduce regions of emptiness that draw the viewer’s gaze between open spaces and intact areas. The resulting forms are at once fixed and fluid, inviting contemplation of the coexistence of material and absence. This interplay encourages viewers to reflect on perception and the spaces they navigate.

This process-driven Cast series differs significantly from my other works, which emphasize a nuanced sketching phase and delicate movements with precise tolerances. In contrast, the cast series embraces spontaneity, brute strength, and inherent deviations. This shift in approach fosters a more visceral relationship with the process, celebrating the physicality involved in the act of creation.